Showing posts with label Here_comes_B. Show all posts
Showing posts with label Here_comes_B. Show all posts

Friday, 10 May 2013

Guest Top 5 - Bands Featuring Members of Jane's Addiction by Here_Comes_B

After a few weeks of non-top five blathering you'll be relieved to see me hand the reins over to someone who actually knows his subject really well. This is @Here_comes_B second guest top five of the year. If he carries on at this rate he'll have done more top five posts this year than me! Mat's previous guest post was about bands or solo artists associated with the Brian Jonestown Massacre. I mentioned in that intro Mat was a fan of Jane's Addiction too, so here he is to complete the circle.

I grew up with the music of Jane's Addiction. It's been with me all of my adult life, through thick and thin. They're one of the bands I've always tried to see when they've been in England and I've seen them about 8 times since 1990 (with Eric, without, as a support band (for The Wonderstuff), on festival bills and headlining). I liked the sense of theatricality about them. That the visual and art aesthetic was equal to the music and the message (probably a reason why the group photo on "Strays" failed to inspire since the other LPs had featured some art). Their music seemed to encapsulate a bit of everything: love, sex, death, art etc. They also seemed to thrive on conflict, which is why Ritual de lo Habitual is my number one album of all time (I think they all pretty much hated each other by then, half were full time junkies and Perry was keeping the vast majority of the money as he wrote, sang and did some production. They didn't record it together, just went in separately and recorded their parts). When they split in 1991, I was obsessed with buying up all the music they put out separately (Deconstruction, Porno for Pyros, Dave Navarro's "Trust No One", Perry's electronica LP Song Yet to be Sung, Eric Avery solo LPs and later, the 2 Jane's sans Eric LPs they did) to try and recapture some of that Jane's voodoo magic. Here's the top 5 of the non-Jane's output.


Psi Com

5) "Xiola" Psi Com (Perry Farrell and some LA goth/punks) - This for me is the first Jane's Addiction song. I wish they'd rerecorded it under the Jane's banner. It's only got Perry on it (from Jane's) but probably has some of his most Perry-est singing ("Xiooolaaaaaaaah"). It's also about the same person (Xiola Blue) that "Three Days" is about. It's proper LA goth/punk sounding too. Dates to about 85.


4) "Fire in the Hole" Deconstruction (Eric Avery & Dave Navarro from Jane's...guest vox from Gibby Haynes)-
Surely born out of the Lollapalooza tour (Butthole Surfers played the first one I think), this track welded Texan madman Gibby Haynes onto LA psychedelic rock from Eric and Dave following the Jane's split. 2 minutes 30 in, it has a guitar solo worthy of Jane's at their peak, obviously it follows on from Gibby screaming.


3) "Kimberly Austin" Porno for Pyros (Perry Farrell & Steve Perkins of Jane's plus Peter di Stefano & Martyn LeNoble) - For all the chaos and ferociousness of Jane's, there's always been a pretty, simple side too (see "Classic Girl" or "Summertime Rolls"). This one is much the same: "I like to watch her sway, she's luck before I'm going away". Pure lovely.


2) "Sadness" Porno for Pyros (Perry Farrell & Stephen Perkins from Jane's plus Peter di Stefano) - But for the production, which is a bit tinny, this would be one of the best songs Perry has done. The right mix of psychedelia, menacing banshee vocals and interesting rhythm holding it all together.


1) "All Remote & No Control" Eric Avery - "Strays" by Jane's sans Eric was a straight up rock record in my opinion. It has its moments but lacks something. This track from Eric Avery, off of "Help Wanted", for me, demonstrates where some of that voodoo went. This LP and the one he's doing now ("LIFE.TIME" up on Bandcamp) have some truly wonderful art rock on them with Eric's lovely, almost baritone vocals. "Maybe" off the same LP has one of the all time great indierock duets, Eric singing with Shirley Manson (of Garbage, who Eric has toured with playing bass). "Fade (after Elliot's Hollow Men" off the current LP is well worth a look, while yer here).
"This is how the world ends. This is how the world ends".


Honourable mentions to "Awesome" by Satellite Party (Perry & Etty Farrell, Stephen Perkins and him from Extreme) which Etty told me came from when they had one of their babies ("what I behold is awesome"). Gets me every time. Also to "Song Yet To Be Sung" from Perry's solo electronic LP of the same name. Also to "Bali Eyes" off of the 2nd Porno for Pyros LP, pure beautiful. Finally to "Underground" off of "The Great Escape Artist" which is every bit as magical as anything off Ritual or Nothing's Shocking. "I'm a hustler, hustler, I'll never give up the underground".

Eric Avery

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Friday, 25 January 2013

Guest Top 5 Bands or artists spun off or affiliated with the Brian Jonestown Massacre by here_comes_B

A brief interlude to my incessant review of the year. This is partly because @here_comes_B provided me with this stonking top five within about two minutes of me asking him to do one, and partly due to my lack of progress with the next 2012 top five. I know @here_comes_B (otherwise known as Mat) thanks to the wonderful interconnectedness of Twitter. Mat is a friend of a friend who loves music and is a regular 6music listener. He has displayed an in depth knowledge of both The Brian Jonestown Massacre (as evident below) and Jane's Addiction as well as having a keen nose for exciting new music. If you're on Twitter you should follow him from one of those links I've included above. Over to Mat ...

According to musical folklore, well over 70 people have played in Anton Newcombe's Brian Jonestown Massacre over the years. He's probably fired or had more people quit than our own Mark E Smith. That said, there's a bit in Ondi Timoner's film Dig! where Anton alludes to shaking up the industry and I think this is all part of the plan. I think of the Brian Jonestown Massacre as the ultimate "hothouse" for training up bands. Many Brian Jonestown alumni have also gone onto start their own bands, here's my top 5 bands/artists who've started other bands or grown in popularity after being in or affiliated with the BJM.

1. Joel Gion/Dilettantes - erstwhile tambo player and true star of Dig!, Joel Gion started a 60s sounding band called the Dilettantes in the mid noughties and toured with them. Lately he's done a solo single which kept the vibe truly 60s but was a lot of fun. Try Dilettantes "the whole world". He is a nice man IRL. Funny too.

www.myspace.com/thedilettantes

Watch The Dillettantes "Ready To Go" on YouTube


2. The Warlocks - Bobby Hecksher I think played drums in the BJM and now has a wonderful, dronerock band, sometimes featuring as many as 3 or 4 guitarists, called the Warlocks. Look up "Death, I hear you walking", it's terrifyingly brilliant.

www.TheWarlocks.com

Watch The Warlocks "Death, I Hear You Walking" on YouTube


3. Black Rebel Motorcycle Club - Peter of BRMC is in Dig! I think Anton taught him how to play guitar too. Black Rebel make a big, dark noise. Try "Aya" out for size off of "Beat The Devil's Tattoo".

BlackRebelMotorcycleClub.com

Watch Black Rebel Motorcycle Club "Aya" on YouTube


4. Sarabeth Tucek - Sarabeth wrote a song which Anton covered. Both versions are wonderful. Since then Sarabeth had a wonderfully melancholic, folky LP out on Sonic Cathedral. It's well worth a look. The BJM track she wrote (+sang) is called "The Seer" and is on BJM EP "We Are The Radio". I think her version is called "Something For You". The title track of her LP "Get Well Soon" will put tears in the corner of your eyes.

SarabethTucek.com

Watch Sarabeth Tucek "Something For You" on YouTube


5. Miranda Lee Richards - is another one who features in Dig! She sings on one of the early to mid-era BJM albums. Her album "The Herethereafter" shoulda been massiver. Check "Long Goodbye". What a lovely voice, eh?

MirandaLeeRichards.com

Watch Miranda Lee Richards "Long Goodbye" on YouTube


I probably missed a few (Matt Hollywood was in another band but I don't know who). I am not counting the Dandy Warhols neither, as they were a separate band.